My breakdowns have been created for each of the mattes (204, 205, 206, 209) and will be posted in here on the Matte Painting Assets tab of the website.
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I put the final touches on shot 209. The color is much more resolved to match the other shots in the sequence and is not as splotchy. Depth and atmosphere were also worked on and much more refined.
Old version (above)
Final version (above)
I updated shot 205 and 206 to match in color and contrast better, getting rid of splotchy areas where the ocean color overlay was painted out.
In 205, the mountain in the background is painted to more subtly fall back into the atmosphere of the water.
Shot 205 old version (above)
Shot 205 updated version (above)
Shot 206 old version (above)
Shot 206 updated version (above)
In this version you can see the atmosphere is much more refined and the colors as well as the perceived distance is much more resolved.
Side by side of two final shots
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